VictorVan’spaintings and artist bookstranslatecontent that he finds on the internet and radio,situatingvisionsof American triumph and tribulationalongside the obscure and mundane.In the studioand in his work,Vanis interested inobservingandgathering.He sifts through screenshots of movies, food,art history, mass produced images, andcurrentevents. Vanbeginsdrawings witha grid in graphite, which he then uses as a framework for resizing and translating digital images into acrylic paintings. Van works quickly,using loose strokes and saturated color to approximate the details of the originalsource.Music is an important part ofhisprocess –heoften singsor listens to the radioas he works.In a series ofinfinitesimally detailedartist books, Van transcribesthe audio ofa commercial radio station, populating themargins with drawings of cars, Doritos, and liquor.
Van has presented work in exhibitions throughout Minnesota and beyond, including In Our Mindsat the Minnesota Museum of American Art, We Are Not Disposable(2020), Randomlandat The White Page (2019), Changing Landscapes at the Institute on Community Integration at the University of Minnesota (2017), and The Binding Is Just a Way to Keep It All Together at the Cargill Gallery at Minneapolis Central Library. In 2025, Van's work was featured in Interact's debut at Open Invitational Miami during Miami Art Week. In 2026, Van was featured in Interact's booth at the Outsider Art Fair and became the first Interact artist to have work acquired by the Walker Art Center. Two of his artist books were acquired by the Minnesota History Center that year. In 2026, Van also presented his debut solo exhibition, Great Expectations, at Open Studio Gallery in New York City.
Special thanks to Xavier Tavera for this portrait of the artist.
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